Italy, Netherlands. 1653 - 1695
Still life painting
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Pietro Navarra SIMILAR ARTISTS
17/18th Century (active 1690-1710). Known for: Painting.
Pietro Navarra is the only one among the pupils of Franz Werner von Tamm recalled from Lyon Pascoli in 1736 and found to be among those who more than anyone else have done honor to the teacher (L.... Read full biography
Pietro Navarra is the only one among the pupils of Franz Werner von Tamm recalled from Lyon Pascoli in 1736 and found to be among those who more than anyone else have done honor to the teacher (L. Pascoli, 'Lives of' painters, sculptors and architects modern ' , Rome 1736, p. 378). The story begins... Read full biography
Pietro Navarra is the only one among the pupils of Franz Werner von Tamm recalled from Lyon Pascoli in 1736 and found to be among those who more than anyone else have done honor to the teacher (L. Pascoli, 'Lives of' painters, sculptors and architects modern ' , Rome 1736, p. 378). The story begins with the artist's criticism shows on still life of 1964 and the identification of so-called PN Monogrammista recognized in the personality of Peter Navarre Lamberto eyebolts in 1981 (cfr. L. eyebolts... Read full biography
Pietro Navarra is the only one among the pupils of Franz Werner von Tamm recalled from Lyon Pascoli in 1736 and found to be among those who more than anyone else have done honor to the teacher (L. Pascoli, 'Lives of' painters, sculptors and architects modern ' , Rome 1736, p. 378). The story begins with the artist's criticism shows on still life of 1964 and the identification of so-called PN Monogrammista recognized in the personality of Peter Navarre Lamberto eyebolts in 1981 (cfr. L. eyebolts in 'Comparison', 375, 1981 , pp. 52-56). Of great importance was the study conducted by Ludovica Trezzani published in ponderous volumes edited by Francesco Porzio and Federico Zeri in 1989 devoted to still life in Italy (Milan, 1989, I, fig. 984).... Read full biography
Pietro Navarra is the only one among the pupils of Franz Werner von Tamm recalled from Lyon Pascoli in 1736 and found to be among those who more than anyone else have done honor to the teacher (L. Pascoli, 'Lives of' painters, sculptors and architects modern ' , Rome 1736, p. 378). The story begins with the artist's criticism shows on still life of 1964 and the identification of so-called PN Monogrammista recognized in the personality of Peter Navarre Lamberto eyebolts in 1981 (cfr. L. eyebolts in 'Comparison', 375, 1981 , pp. 52-56). Of great importance was the study conducted by Ludovica Trezzani published in ponderous volumes edited by Francesco Porzio and Federico Zeri in 1989 devoted to still life in Italy (Milan, 1989, I, fig. 984). However, the actual stylistic definition of the painter is due to the recent resear... Read full biography
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Slide 1 of 3: STILL LIFE OF POMEGRANATES, RED AND WHITE GRAPES, FIGS, PLUMS, GREEN FIGS AND PEACHES ON A SILVER PLATE, TOGETHER WITH A FRAGMENT OF A CLASSICAL COLUMN, ALL ARRANGED IN A LANDSCAPE
STILL LIFE OF POMEGRANATES, RED AND WHITE GRAPES, FIGS, PLUMS, GREEN FIGS AND PEACHES ON A SILVER PLATE, TOGETHER WITH A FRAGMENT OF A CLASSICAL COLUMN, ALL ARRANGED IN A LANDSCAPE
Pietro NavarraSTILL LIFE OF POMEGRANATES, RED AND WHITE GRAPES, FIGS, PLUMS, GREEN FIGS AND PEACHES ON A SILVER PLATE, TOGETHER WITH A FRAGMENT OF A CLASSICAL COLUMN, ALL ARRANGED IN A LANDSCAPE
Pietro Navarra
Pomegranates, grapes, pumpkins, dates and pears with birds / Melograni, uva, zucche, fichi e pere con uccelli
Pietro Navarra
Melons, grapes, peaches and figs on the ground and a Corinthian capital, a glass and flask on a pewter tray and fruit in a glass bowl, all atop a carpet set on a marble ledge with a classical building beyond
Pietro NavarraArtists Similar to Pietro Navarra (29)
Collection of similar artists. Use arrow keys to navigate between artists, Enter or Space to select an artist, Home to go to first artist, End to go to last artist. Collection contains 29 artists.
Italy. 1676 - 1739
Paintings of architectural ruins, ancient statues, collaborative art wtih Giuseppe Poli
Italy. 1636 - 1706
Eclectic style, classical and baroque elements
Italy. 1611 - 1681
Allegorical painting
Italy. 1588 - 1649
Late mannerist religious, allegorical figure painting, mosaics, teaching
Italy. c.1643 - 1724
Dramatic landscape scenes with figures, stormy cloudscapes, religious figure
Italy. 1659 - 1730
Painting; fruit and floral still life
Belgium, Italy. 1637 - 1712
Bird, poultry still life painting, nature morte
Denmark, Italy. 1624 - 1687
Figure, human genre painting
Italy. 1604 - 1670
Architectural painting with ruins in landscape
Netherlands, Flemish. 1667 - 1746
Still life paintings
Italy. 1603 - 1673
Still life painting
Italy. 1608/09 - 1661/65
Religious subject, portrait painting
Italy, Russian Federation. 1707 - 1762
Portrait painting, religious themed altarpieces
Italy. 1697 - 1773
Land-townscape, rural genre and romantic scene paintings
Italy. 1636 - 1688
Fresco painting
Italy, France. 1662 - 1728
Painting and sculpture
Italy, Spain. 1591 - 1652
Religious figure painting
Austria, Europe, England. 1689 - 1740
Landscape, genre and figure painting, engraving
Flemish, Belgium, France. 1601 - 1678
Landscape, figure in landscape, allegory and mythology painting
Netherlands, Holland. 1640/41 - 1694/97
Landscape, beach and village scene painting
Italy. 1609 - 1685
Religious theme painting
Netherlands. 1667 - 1744
Landscape painting
Italy. c. 1548 - 1628
Portrait, figure, religious, allegorical paintings
Italy. 1657 - 1747
Classical religious subject and portrait painting
Germany, Netherlands. 1586 - 1666
Genre, village scene, allegory and biblical theme painting
Flemish, Belgium. 1581 - 1642
Allegorical, history, figure and religious painting-monkeys
Germany, Italy. c.1655/57 - 1706
Landscape, domestic animal in landscape painting
Italy. 1632/34 - 1705
Baroque painting, ceilings, altarpieces