New York, New Jersey. 1917 - 2000
Modernist naive urban genre-figure painting
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1911 Charlotte, North Carolina - 1988 New York City. Known for: Modernist African-American figure and landscape painting, collage.
Working in a modernist style, Romare Bearden, as a Black American, tried to express on canvas and collage the complexities and uniqueness of being a minority in American society. Many of his themes... Read full biography
Working in a modernist style, Romare Bearden, as a Black American, tried to express on canvas and collage the complexities and uniqueness of being a minority in American society. Many of his themes dealt with music. Another strong presence in many of Bearden's works is trains. Bearden felt that... Read full biography
Working in a modernist style, Romare Bearden, as a Black American, tried to express on canvas and collage the complexities and uniqueness of being a minority in American society. Many of his themes dealt with music. Another strong presence in many of Bearden's works is trains. Bearden felt that there was a commonality, or link between trains and their symbolic tie to life; he saw trains as communicating life's fluctuations and constant change. He also saw this in jazz, so in many of his works... Read full biography
Working in a modernist style, Romare Bearden, as a Black American, tried to express on canvas and collage the complexities and uniqueness of being a minority in American society. Many of his themes dealt with music. Another strong presence in many of Bearden's works is trains. Bearden felt that there was a commonality, or link between trains and their symbolic tie to life; he saw trains as communicating life's fluctuations and constant change. He also saw this in jazz, so in many of his works the viewer will see images of both trains and jazz. Bearden's use of color was also unique. He was strongly affected by a trip he made to the Caribbean. Because he lived in such urban, "dirty" cities as New York, Bearden was overwhelmed by the rich,... Read full biography
Working in a modernist style, Romare Bearden, as a Black American, tried to express on canvas and collage the complexities and uniqueness of being a minority in American society. Many of his themes dealt with music. Another strong presence in many of Bearden's works is trains. Bearden felt that there was a commonality, or link between trains and their symbolic tie to life; he saw trains as communicating life's fluctuations and constant change. He also saw this in jazz, so in many of his works the viewer will see images of both trains and jazz. Bearden's use of color was also unique. He was strongly affected by a trip he made to the Caribbean. Because he lived in such urban, "dirty" cities as New York, Bearden was overwhelmed by the rich, vivid, "clean" colors of the tropics. He soaked in these colors, and used them in his works to try and... Read full biography
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Slide 1 of 3: The Street
The Street
Romare Howard BeardenThe Street
Romare Howard Bearden
The Cardplayers
Romare Howard Bearden
Profile/Part II, The Thirties: Sitting in at Baron's
Romare Howard BeardenArtists Similar to Romare Howard Bearden (32)
Collection of similar artists. Use arrow keys to navigate between artists, Enter or Space to select an artist, Home to go to first artist, End to go to last artist. Collection contains 32 artists.
District Of Columbia, New York / Mexico. 1915 - 2012
Abstract sculpture, modernist figure and portrait painting, graphics
New York. 1909 - 1979
Non objective, ethnic genre-view painting
Tennessee, New York / France. 1901 - 1979
Lyrical abstract painting, city scenes-jazz
Illinois, New York, California. 1918 - 1979
Black-American figure and genre and mural painting
Connecticut, North Carolina / Germany. 1888 - 1976
Serial geometric, non objective painting
Pennsylvania, Kansas / France. 1859 - 1937
Painting-religious, Orientalism, genre, figure, landscape
Virginia, Texas. 1924 - 2001
Narrative mural painting-African-American subjects
New York, Ohio. 1893 - 1967
Landscape-structure and modernist botanic painting
District Of Columbia, Kentucky. 1933 - 2022
Abstract color field and drape painting, collage, graphics
New York. 1903 - 1974
Primitive painting-totemic non objective and realism
New York, Wyoming / Russian Federation. 1907 - 1981
Geometric abstract painting, murals, teaching
Georgia, New York / France. 1900 - 1980
Southern poverty images-paintings and history murals
New York, Vermont, Illinois / France. 1921 - 1999
Abstract expressionist painting- fantasy
New York, Connecticut. 1928 - 2011
Abstract imagery-stain painting
New York. 1923 - 2002
Modernist pop figure, word image genre painting
New Jersey. 1930 - 2020
Optical art illusion, collage, graphics
New York / Netherlands, Germany. 1904 - 1997
Abstract expressionist painting, figurative
Kentucky, New York, Massachusetts / Italy. 1937 - 1966
Figurative expressionist painting, religion
New York, North Carolina. 1907 - 1977
Abstract expressionist painting, portraits, lithography, murals
New York. 1922 - 1997
Abstract expressionist painting, biomorph, geometric, surrealism
Massachusetts, New York / Germany. 1867 - 1938
Modernist architecture painting, landscape, colorist
New York, Maine. Born 1927
Post modernist figure and still-life painting, printmaking
Massachusetts, Rhode Island, New Brunswick / Canada. 1828 - 1901
Idealized landscape, marine, portrait and still life painting
New York, Georgia. 1930 - 2006
Ethnic genre painting, abstraction, collage
District Of Columbia. 1891 - 1978
Non objective-optical imagery painting, teaching
New York, Connecticut. 1885 - 1965
Abstract sea-landscape and nude figure painting
New York, Maine / France. 1870 - 1953
Painting-modernist landscape-coastal, etching
New York. 1912 - 1963
Biomorphic abstract, early surreal
New York. 1892 - 1964
Abstraction, mod-real imagery
New York. 1903 - 1972
Assemblage-boxes, collage
New York, Connecticut, Massachusetts. 1915 - 1991
Abstract expressionist painting, collage