Analia Saban PRICE CHARTS
Born 1980 Buenos Aires, Argentina. Known for: Laser sculpted painting, cracked concrete sculpture.
"An Artist at Home on the Fault Lines," by Jori Finkel, The New York Times, Art and Design section, June 30, 2017. SANTA MONICA, Calif. — Analia Saban’s studio here, which she took over from John... Read full biography
"An Artist at Home on the Fault Lines," by Jori Finkel, The New York Times, Art and Design section, June 30, 2017. SANTA MONICA, Calif. — Analia Saban’s studio here, which she took over from John Baldessari eight years ago, is still packed with remnants from the early, heady, low-rent days when... Read full biography
"An Artist at Home on the Fault Lines," by Jori Finkel, The New York Times, Art and Design section, June 30, 2017. SANTA MONICA, Calif. — Analia Saban’s studio here, which she took over from John Baldessari eight years ago, is still packed with remnants from the early, heady, low-rent days when conceptual art started in Los Angeles. She points out boxes of correspondence and records left behind by Mr. Baldessari, a pioneer of the movement. On the dingy bathroom wall is a gift he received from... Read full biography
"An Artist at Home on the Fault Lines," by Jori Finkel, The New York Times, Art and Design section, June 30, 2017. SANTA MONICA, Calif. — Analia Saban’s studio here, which she took over from John Baldessari eight years ago, is still packed with remnants from the early, heady, low-rent days when conceptual art started in Los Angeles. She points out boxes of correspondence and records left behind by Mr. Baldessari, a pioneer of the movement. On the dingy bathroom wall is a gift he received from another central figure, Lawrence Weiner: a text piece that says in red, “the trace of an action past, i.e. a wet place.” In the back remains a small darkroom built in 1971 by an earlier inhabitant, William Wegman, who also left a basketball hoop.... Read full biography
"An Artist at Home on the Fault Lines," by Jori Finkel, The New York Times, Art and Design section, June 30, 2017. SANTA MONICA, Calif. — Analia Saban’s studio here, which she took over from John Baldessari eight years ago, is still packed with remnants from the early, heady, low-rent days when conceptual art started in Los Angeles. She points out boxes of correspondence and records left behind by Mr. Baldessari, a pioneer of the movement. On the dingy bathroom wall is a gift he received from another central figure, Lawrence Weiner: a text piece that says in red, “the trace of an action past, i.e. a wet place.” In the back remains a small darkroom built in 1971 by an earlier inhabitant, William Wegman, who also left a basketball hoop. “These guys never move out, they just leave,” Ms. Saban offered, smiling. Then there’s the jagged crack running through the conc... Read full biography
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