Godfried Maes PRICE CHARTS
1649 Antwerp, Belgium - 1700 Antwerp, Belgium. Known for: Painting of large alterpieces, church decoration, allegory, tapestry design.
The Flemish painter and draughtsman Gotfried Maes studied in his native Antwerp with his father and with the painter Pieter van Lint. He was admitted to the painter’s guild in Antwerp in 1672,... Read full biography
The Flemish painter and draughtsman Gotfried Maes studied in his native Antwerp with his father and with the painter Pieter van Lint. He was admitted to the painter’s guild in Antwerp in 1672, becoming dean of the guild ten years later. He spent his entire career in Antwerp, receiving commissions... Read full biography
The Flemish painter and draughtsman Gotfried Maes studied in his native Antwerp with his father and with the painter Pieter van Lint. He was admitted to the painter’s guild in Antwerp in 1672, becoming dean of the guild ten years later. He spent his entire career in Antwerp, receiving commissions for altarpieces and history paintings from churches and collectors in Antwerp, Brussels and Liège. Much of his work is in a grand scale, such as a large altarpiece of The Martyrdom of Saint George,... Read full biography
The Flemish painter and draughtsman Gotfried Maes studied in his native Antwerp with his father and with the painter Pieter van Lint. He was admitted to the painter’s guild in Antwerp in 1672, becoming dean of the guild ten years later. He spent his entire career in Antwerp, receiving commissions for altarpieces and history paintings from churches and collectors in Antwerp, Brussels and Liège. Much of his work is in a grand scale, such as a large altarpiece of The Martyrdom of Saint George, painted in 1681 for the Antwerp church of St. Joris and today in the Koninklijk Museum voor Schone Kunsten in Antwerp, and Maes may be regarded as among the last of the Flemish Baroque artists. Among his important patrons was Eugen Alexander Franz,... Read full biography
The Flemish painter and draughtsman Gotfried Maes studied in his native Antwerp with his father and with the painter Pieter van Lint. He was admitted to the painter’s guild in Antwerp in 1672, becoming dean of the guild ten years later. He spent his entire career in Antwerp, receiving commissions for altarpieces and history paintings from churches and collectors in Antwerp, Brussels and Liège. Much of his work is in a grand scale, such as a large altarpiece of The Martyrdom of Saint George, painted in 1681 for the Antwerp church of St. Joris and today in the Koninklijk Museum voor Schone Kunsten in Antwerp, and Maes may be regarded as among the last of the Flemish Baroque artists. Among his important patrons was Eugen Alexander Franz, Prince of Thurn and Taxis, for whose palace in Brussels he painted an allegorical ceiling painting glorifying the Thurn and Taxis family. Ma... Read full biography
Godfried Maes - Charts
Chart data loaded successfully
