James Lovera PRICE CHARTS
1920 - 2015. Known for: Ceramic arts.
California native James Lovera learned from and worked with the Natzlers, F. Carlton Ball, and Marguerite Wildenhain. Lovera studied at the California School of Fine Arts. His vessels exemplify... Read full biography
California native James Lovera learned from and worked with the Natzlers, F. Carlton Ball, and Marguerite Wildenhain. Lovera studied at the California School of Fine Arts. His vessels exemplify midcentury Modernist form and function. The artist was heavily influenced by his travels in Japan,... Read full biography
California native James Lovera learned from and worked with the Natzlers, F. Carlton Ball, and Marguerite Wildenhain. Lovera studied at the California School of Fine Arts. His vessels exemplify midcentury Modernist form and function. The artist was heavily influenced by his travels in Japan, leading to his development of a pared down aesthetic focused primarily on exquisitely thrown shapes. He treated the vessel as a canvas, experimenting with glazes and pushing the limits of each firing, the... Read full biography
California native James Lovera learned from and worked with the Natzlers, F. Carlton Ball, and Marguerite Wildenhain. Lovera studied at the California School of Fine Arts. His vessels exemplify midcentury Modernist form and function. The artist was heavily influenced by his travels in Japan, leading to his development of a pared down aesthetic focused primarily on exquisitely thrown shapes. He treated the vessel as a canvas, experimenting with glazes and pushing the limits of each firing, the results of which are as varied as they are beautiful.
California native James Lovera learned from and worked with the Natzlers, F. Carlton Ball, and Marguerite Wildenhain. Lovera studied at the California School of Fine Arts. His vessels exemplify midcentury Modernist form and function. The artist was heavily influenced by his travels in Japan, leading to his development of a pared down aesthetic focused primarily on exquisitely thrown shapes. He treated the vessel as a canvas, experimenting with glazes and pushing the limits of each firing, the results of which are as varied as they are beautiful.
James Lovera - Charts
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