Kris Martin PRICE CHARTS
Born 1972 Ghent, Belgium. Known for: Performance-interventions, collage, public sculpture.
Whether by marking its passing or transcending the present Kris Martin's practice questions the notion of time and our desire to comprehend it. His diverse use of the readymade from the antique relic... Read full biography
Whether by marking its passing or transcending the present Kris Martin's practice questions the notion of time and our desire to comprehend it. His diverse use of the readymade from the antique relic to the highly engineered or more ephemeral and immaterial interventions provoke a space for... Read full biography
Whether by marking its passing or transcending the present Kris Martin's practice questions the notion of time and our desire to comprehend it. His diverse use of the readymade from the antique relic to the highly engineered or more ephemeral and immaterial interventions provoke a space for uncertainty, enquiry and existential reasoning. His objects and interventions provoke a state of mind - an occasion to consider a situation or predicament - as much as they create a visual experience. During... Read full biography
Whether by marking its passing or transcending the present Kris Martin's practice questions the notion of time and our desire to comprehend it. His diverse use of the readymade from the antique relic to the highly engineered or more ephemeral and immaterial interventions provoke a space for uncertainty, enquiry and existential reasoning. His objects and interventions provoke a state of mind - an occasion to consider a situation or predicament - as much as they create a visual experience. During the Berlin Biennale, Martin installed Mandi III (2003), a monochromatic departures board at the back of St. Johannes-Evangelist Church. The work provided no information, instead continuously rotating through blank screens that provoked the viewer to... Read full biography
Whether by marking its passing or transcending the present Kris Martin's practice questions the notion of time and our desire to comprehend it. His diverse use of the readymade from the antique relic to the highly engineered or more ephemeral and immaterial interventions provoke a space for uncertainty, enquiry and existential reasoning. His objects and interventions provoke a state of mind - an occasion to consider a situation or predicament - as much as they create a visual experience. During the Berlin Biennale, Martin installed Mandi III (2003), a monochromatic departures board at the back of St. Johannes-Evangelist Church. The work provided no information, instead continuously rotating through blank screens that provoked the viewer to consider the uncharted nature of mans journey through life. At the Frieze Art Fair in 2007 Martin orchestrated an i... Read full biography
Kris Martin - Charts
Chart data loaded successfully
