Lodovico Carracci PRICE CHARTS
1555 Bologna, Italy - 1619 Bologna, Italy. Known for: Altarpiece paintings with Madonna, frescoes, cathedral decoration.
The Carracci was a family of Bolognese painters, the brothers Agostino (1557-1602) and Annibale (1560-1609) and their cousin Lodovico (1555-1619), who were prominent figures at the end of the 16th... Read full biography
The Carracci was a family of Bolognese painters, the brothers Agostino (1557-1602) and Annibale (1560-1609) and their cousin Lodovico (1555-1619), who were prominent figures at the end of the 16th century in the movement against the prevailing Mannerist artificiality of Italian painting. They... Read full biography
The Carracci was a family of Bolognese painters, the brothers Agostino (1557-1602) and Annibale (1560-1609) and their cousin Lodovico (1555-1619), who were prominent figures at the end of the 16th century in the movement against the prevailing Mannerist artificiality of Italian painting. They worked together early in their careers, and it is not easy to distinguish their shares in, for example, the cycle of frescos in the Palazzo Fava in Bologna (c.1583-84). Lodovico was by temperament a fairly... Read full biography
The Carracci was a family of Bolognese painters, the brothers Agostino (1557-1602) and Annibale (1560-1609) and their cousin Lodovico (1555-1619), who were prominent figures at the end of the 16th century in the movement against the prevailing Mannerist artificiality of Italian painting. They worked together early in their careers, and it is not easy to distinguish their shares in, for example, the cycle of frescos in the Palazzo Fava in Bologna (c.1583-84). Lodovico was by temperament a fairly shy person who never found real success, unlike his cousin Annibale. Apart from traveling when young in the course of his studies and a brief and rather unpleasant stay in Rome, he spent all his life in the cosy atmosphere of Bologna, where most of... Read full biography
The Carracci was a family of Bolognese painters, the brothers Agostino (1557-1602) and Annibale (1560-1609) and their cousin Lodovico (1555-1619), who were prominent figures at the end of the 16th century in the movement against the prevailing Mannerist artificiality of Italian painting. They worked together early in their careers, and it is not easy to distinguish their shares in, for example, the cycle of frescos in the Palazzo Fava in Bologna (c.1583-84). Lodovico was by temperament a fairly shy person who never found real success, unlike his cousin Annibale. Apart from traveling when young in the course of his studies and a brief and rather unpleasant stay in Rome, he spent all his life in the cosy atmosphere of Bologna, where most of his work still remains. He nevertheless has to be recognized as the first painter systematically to abandon the late Ma... Read full biography
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