Louis Eugene Dejean PRICE CHARTS
1872 Paris, France - 1954. Known for: Sculpture, engraving, camoufleur.
Louis Dejean was a member of the group known as "la Bande à Schnegg", a loose association of sculptors composed essentially of Rodin's studio assistants and centred around Lucien Schnegg (1864-1909).... Read full biography
Louis Dejean was a member of the group known as "la Bande à Schnegg", a loose association of sculptors composed essentially of Rodin's studio assistants and centred around Lucien Schnegg (1864-1909). The term was coined by Louis Vauxcelles (the critic who more famously named the "fauves") in his... Read full biography
Louis Dejean was a member of the group known as "la Bande à Schnegg", a loose association of sculptors composed essentially of Rodin's studio assistants and centred around Lucien Schnegg (1864-1909). The term was coined by Louis Vauxcelles (the critic who more famously named the "fauves") in his review of the Salon de la Société Nationale des Beaux-Arts in 1913. The group's first show, entitled "Certains", was held in 1904 and included Schnegg, Dejean, Halou, Marque and Rodo. Around 1900,... Read full biography
Louis Dejean was a member of the group known as "la Bande à Schnegg", a loose association of sculptors composed essentially of Rodin's studio assistants and centred around Lucien Schnegg (1864-1909). The term was coined by Louis Vauxcelles (the critic who more famously named the "fauves") in his review of the Salon de la Société Nationale des Beaux-Arts in 1913. The group's first show, entitled "Certains", was held in 1904 and included Schnegg, Dejean, Halou, Marque and Rodo. Around 1900, Dejean had begun to exhibit small decorative statuettes of feminine subjects in fashionable dress which were described as "modern Tanagra figurines". At the 1904 Salon of the SNBA, he exhibited a patinated terracotta called La Parisienne or Dame au grand... Read full biography
Louis Dejean was a member of the group known as "la Bande à Schnegg", a loose association of sculptors composed essentially of Rodin's studio assistants and centred around Lucien Schnegg (1864-1909). The term was coined by Louis Vauxcelles (the critic who more famously named the "fauves") in his review of the Salon de la Société Nationale des Beaux-Arts in 1913. The group's first show, entitled "Certains", was held in 1904 and included Schnegg, Dejean, Halou, Marque and Rodo. Around 1900, Dejean had begun to exhibit small decorative statuettes of feminine subjects in fashionable dress which were described as "modern Tanagra figurines". At the 1904 Salon of the SNBA, he exhibited a patinated terracotta called La Parisienne or Dame au grand manteau, which was commissioned in bronze by the Musée du Luxembourg (the cast is now with the Musée d'Orsay) and subsequently ed... Read full biography
Louis Eugene Dejean - Charts
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