ChangSup Chung PRICE CHARTS
1927 - 2011. Known for: Painting.
In the mid-70s, Chung Changsup’s adoption of Hanji (Korean traditional paper) became a critical juncture in his work. The artist began to incorporate his aesthetic sensibilities into a traditional... Read full biography
In the mid-70s, Chung Changsup’s adoption of Hanji (Korean traditional paper) became a critical juncture in his work. The artist began to incorporate his aesthetic sensibilities into a traditional paper to create abstract art. It allowed his painting materials to thinly spread and permeate into the... Read full biography
In the mid-70s, Chung Changsup’s adoption of Hanji (Korean traditional paper) became a critical juncture in his work. The artist began to incorporate his aesthetic sensibilities into a traditional paper to create abstract art. It allowed his painting materials to thinly spread and permeate into the paper- the style of painting akin to naturalism. Chung along with artists, such as Park SeoBo, Yun HyongKeun, Chung SangHwa, and Ha ChongHyun, played a pivotal role as the first generation of Korean... Read full biography
In the mid-70s, Chung Changsup’s adoption of Hanji (Korean traditional paper) became a critical juncture in his work. The artist began to incorporate his aesthetic sensibilities into a traditional paper to create abstract art. It allowed his painting materials to thinly spread and permeate into the paper- the style of painting akin to naturalism. Chung along with artists, such as Park SeoBo, Yun HyongKeun, Chung SangHwa, and Ha ChongHyun, played a pivotal role as the first generation of Korean monochrome painters. In the 1970s, the artist, through a series titled Returning, explored deeper into a traditional medium, the Hanji paper. He attached rice papers onto the surface of the canvas to naturally spread the ink, a scene which reminds... Read full biography
In the mid-70s, Chung Changsup’s adoption of Hanji (Korean traditional paper) became a critical juncture in his work. The artist began to incorporate his aesthetic sensibilities into a traditional paper to create abstract art. It allowed his painting materials to thinly spread and permeate into the paper- the style of painting akin to naturalism. Chung along with artists, such as Park SeoBo, Yun HyongKeun, Chung SangHwa, and Ha ChongHyun, played a pivotal role as the first generation of Korean monochrome painters. In the 1970s, the artist, through a series titled Returning, explored deeper into a traditional medium, the Hanji paper. He attached rice papers onto the surface of the canvas to naturally spread the ink, a scene which reminds the viewer of moonlight hanging over a traditional Korean-style house. In the 1980s, he began to create hi... Read full biography
