Born in Sweden and trained in Paris, Adolph Wertmuller became a painter of portraits and mythological subjects. He painted in the Neo-Classic tradition with mirror-like finishes on his paintings,... Read full biography
Born in Sweden and trained in Paris, Adolph Wertmuller became a painter of portraits and mythological subjects. He painted in the Neo-Classic tradition with mirror-like finishes on his paintings, giving no evidence of his own personality. He first gained prominence in Europe where he was elected an... Read full biography
Born in Sweden and trained in Paris, Adolph Wertmuller became a painter of portraits and mythological subjects. He painted in the Neo-Classic tradition with mirror-like finishes on his paintings, giving no evidence of his own personality. He first gained prominence in Europe where he was elected an academician at the Royal Academies of both France and Sweden. In 1794, he came to the United States briefly and then returned in 1800 after his family lost their money during the French Revolution.... Read full biography
Born in Sweden and trained in Paris, Adolph Wertmuller became a painter of portraits and mythological subjects. He painted in the Neo-Classic tradition with mirror-like finishes on his paintings, giving no evidence of his own personality. He first gained prominence in Europe where he was elected an academician at the Royal Academies of both France and Sweden. In 1794, he came to the United States briefly and then returned in 1800 after his family lost their money during the French Revolution. He had studied in Paris with Joseph- Marie Vien, teacher of the famous Neo-Classical painter Jacques-Louis David. He settled on a farm near Wilmington after marrying Elizabeth Henderson, a Philadelphian and granddaughter of painter Gustaf Hesselius.... Read full biography
Born in Sweden and trained in Paris, Adolph Wertmuller became a painter of portraits and mythological subjects. He painted in the Neo-Classic tradition with mirror-like finishes on his paintings, giving no evidence of his own personality. He first gained prominence in Europe where he was elected an academician at the Royal Academies of both France and Sweden. In 1794, he came to the United States briefly and then returned in 1800 after his family lost their money during the French Revolution. He had studied in Paris with Joseph- Marie Vien, teacher of the famous Neo-Classical painter Jacques-Louis David. He settled on a farm near Wilmington after marrying Elizabeth Henderson, a Philadelphian and granddaughter of painter Gustaf Hesselius. Source:. Matthew Baigell, Dictionary of American Art... Read full biography
Adolph Ulrich Wertmuller - Artist Info
About Adolph Ulrich Wertmuller: Books
Books & Publications (27)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
American Paintings of the Eighteenth Century (Exhibition catalog)
1995
Miles, Ellen G
419 pages
American Paintings/Metropolitan Mus V 1, Artists Born by 1815
1994
Caldwell, John/Oswaldo Roque
628 pages
Picturing a Nation Art and Social Change in 19th Century America
1994
Lubin, David M
364 pages (color)
Art Across America: New England, New York, Mid-Atlantic (Volume One)
1990
Gerdts, William H
421 pages (color)
The American Paintings (in the) Pennsylvania Academy of Fine Art
1989
Fresella-Lee, Nancy
222 pages (color)
Annual Exhibition Record, 1807-1870, Pennsylvania Academy of the Fine Arts (Exhibition catalog)
1988
Falk, Peter Hastings
472 pages
Federal Philadelphia 1785-1825 The Athens of the Western World (Exhibition catalog)
1987
Garvan, Beatrice
96 pages (color)
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
American Painting 1750-1900 from the Baltimore Museum of Art
1983
Johnston, Sona K
187 pages (color)
The Britannica Encyclopedia of American Art
1981
Rugoff, Milton
669 pages (color)
Dictionary of American Art
1979
Baigell, Mathew
390 pages
Arts in America/A Bibliography Volume 2 (Painting and Graphics)
1979
Karpel, Bernard/Ruth Spiegel
736 pages
American Art to 1900 Painting, Sculpture, Architecture
1977
Brown, Milton W
631 pages (color)
The First Pose 1876: Turning Point in American Art
1976
Sellin, David
72 pages
Smithsonian Archives of American Art: Checklist of the Collection
1975
Editor, Smithsonian
0 pages
A Nineteenth Century Gallery of Distinguished Americans
1969
Stewart, Robert G
93 pages
Arts of the Young Republic The Age of William Dunlap (Exhibition catalog)
1968
Dickson, Harold E
234 pages
American Paintings to 1900 Catalogue of Paintings, Vol 1
1966
North Carolina Museum of Art
118 pages (color)
American Paintings V 1, Catalog, Metropolitan Museum
1965
Gardner, Albert and S Field
284 pages
American Painting History and Interpretation
1950
Barker, Virgil
715 pages
American Portraits Catalogue of Portraits in Oil, Miniature, Sculptures
1941
New York Historical Society
367 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index
1935
Mallett, Daniel Trowbridge
1,130 pages
The Life Portraits of Washington and Their Replicas
1931
Morgan, John Hill; M Fielding
432 pages
A History of the Rise and Progress of the Arts of Design in the United States (Revised edition from 1834)