Still life, portrait and landscape painter, Andrew John Henry Way was born in Washington, D. C., 27 April, 1826 and died in Baltimore, Maryland, 7 February, 1888. He studied first with John Peter... Read full biography
Still life, portrait and landscape painter, Andrew John Henry Way was born in Washington, D. C., 27 April, 1826 and died in Baltimore, Maryland, 7 February, 1888. He studied first with John Peter Frankenstein in Cincinnati (c. 1847), then with Alfred Jacob Miller in Baltimore (late 1840s). In 1850... Read full biography
Still life, portrait and landscape painter, Andrew John Henry Way was born in Washington, D. C., 27 April, 1826 and died in Baltimore, Maryland, 7 February, 1888. He studied first with John Peter Frankenstein in Cincinnati (c. 1847), then with Alfred Jacob Miller in Baltimore (late 1840s). In 1850 he went to Paris to study at the studio of Michel-Martin Drolling and in 1851 at the Academia della Bella Arte, Florence. After a stay in Europe of four years he returned to his native country,... Read full biography
Still life, portrait and landscape painter, Andrew John Henry Way was born in Washington, D. C., 27 April, 1826 and died in Baltimore, Maryland, 7 February, 1888. He studied first with John Peter Frankenstein in Cincinnati (c. 1847), then with Alfred Jacob Miller in Baltimore (late 1840s). In 1850 he went to Paris to study at the studio of Michel-Martin Drolling and in 1851 at the Academia della Bella Arte, Florence. After a stay in Europe of four years he returned to his native country, settling in Baltimore. For some time he was mainly a portrait painter, but a fruit-piece that he painted about 1859 attracted the attention of Emanuel Leutze, noted German-American painter, on whose advice he devoted himself thereafter to the painting of... Read full biography
Still life, portrait and landscape painter, Andrew John Henry Way was born in Washington, D. C., 27 April, 1826 and died in Baltimore, Maryland, 7 February, 1888. He studied first with John Peter Frankenstein in Cincinnati (c. 1847), then with Alfred Jacob Miller in Baltimore (late 1840s). In 1850 he went to Paris to study at the studio of Michel-Martin Drolling and in 1851 at the Academia della Bella Arte, Florence. After a stay in Europe of four years he returned to his native country, settling in Baltimore. For some time he was mainly a portrait painter, but a fruit-piece that he painted about 1859 attracted the attention of Emanuel Leutze, noted German-American painter, on whose advice he devoted himself thereafter to the painting of still-life subjects. He had great success creating still lifes, especially in the representation of grapes, those grown in the western United St... Read full biography
Andrew John Henry Way - Artist Info
About Andrew John Henry Way: Books
Books & Publications (32)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Art in the American South Works from the Ogden Collection
1996
Delehanty, Randolph
292 pages (color)
The Artists of Washington DC 1796-1996
1996
McMahan, Virgil E
240 pages
Gracious Plenty American Still-Life Art from Southern Collections
1996
Pennington, Estill Curtis
127 pages
The Apple of America The Apple in 19th Century American Art (Exhibition catalog)
1993
Weber, Bruce
48 pages (color)
A Southern Collection
1992
Pennington, Estill Curtis
246 pages (color)
American Paintings and Sculpture to 1945 in the Carnegie Museum of Art
1992
Strazdes, Diana
511 pages (color)
Art Across America: New England, New York, Mid-Atlantic (Volume One)
1990
Gerdts, William H
421 pages (color)
Annual Exhibition Record, 1876-1913, Pennsylvania Academy of the Fine Arts Volume II (Exhibition catalog)
1989
Falk, Peter Hastings
612 pages
Look Away: Reality and Sentiment in Southern Art
1989
Pennington, Estill Curtis
200 pages (color)
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
Maryland: 350 Years of Art & Architecture (University of Maryland Architecture Department Art Gallery (Exhibition catalog)
1984
Johns, Elizabeth; William Elder III, Josephine Withers, et all
248 pages
American Painting 1750-1900 from the Baltimore Museum of Art
1983
Johnston, Sona K
187 pages (color)
American & European Paintings (Exhibition catalog)
1983
Schwarz-Philadelphia
30 pages (color)
Painting in the South: 1564-1980 (Exhibition catalog)
1983
Virginia Museum, Richmond
362 pages (color)
Dictionary of 19th Century American Artists in Italy (1760-1940)
1982
Soria, Regina
332 pages
Painters of the Humble Truth American Still Life 1801-1939
1981
Gerdts, William H
292 pages (color)
Art Inc, American Paintings from Corporate Collections Montgomery Museum of Fine Arts, Alabama (Exhibition catalog)
1979
Kahan, Mitchell Douglas (Intro)
298 pages (color)
Arts in America/A Bibliography Volume 2 (Painting and Graphics)
1979
Karpel, Bernard/Ruth Spiegel
736 pages
Three Hundred Years of American Art In The Chrysler Museum (Exhibition catalog)
1976
Anderson, Dennis R (Introductory Essay)
270 pages (color)
American Cornucopia 19th Century Still Lifes and Studies (Exhibition catalog)
1976
Brindle, John V/Sally Secrest
48 pages (color)
The Art Collection of the First National Bank of Chicago