Born in Nutley, New Jersey, Arthur Hoeber became a noted landscape artist in Tonalist style, with simple composition, broad skyscapes, and serene, quiet, poetic views often inspired by coastal... Read full biography
Born in Nutley, New Jersey, Arthur Hoeber became a noted landscape artist in Tonalist style, with simple composition, broad skyscapes, and serene, quiet, poetic views often inspired by coastal scenery of Cape Cod and Long Island. Luminism was a part of his painting style, with reflected bright... Read full biography
Born in Nutley, New Jersey, Arthur Hoeber became a noted landscape artist in Tonalist style, with simple composition, broad skyscapes, and serene, quiet, poetic views often inspired by coastal scenery of Cape Cod and Long Island. Luminism was a part of his painting style, with reflected bright lights often appearing in his dramatic, panoramic cloud-filled skies. His paintings were sometimes referred to as "spare meditations" (Elliott), and usually his titles referenced the exact location of the... Read full biography
Born in Nutley, New Jersey, Arthur Hoeber became a noted landscape artist in Tonalist style, with simple composition, broad skyscapes, and serene, quiet, poetic views often inspired by coastal scenery of Cape Cod and Long Island. Luminism was a part of his painting style, with reflected bright lights often appearing in his dramatic, panoramic cloud-filled skies. His paintings were sometimes referred to as "spare meditations" (Elliott), and usually his titles referenced the exact location of the work, the season or time of day. He also did figure and genre subjects including peasants toiling in the fields when he was painting in the French countryside. As a young man, Hoeber did much sketching and painting in watercolor, and later took... Read full biography
Born in Nutley, New Jersey, Arthur Hoeber became a noted landscape artist in Tonalist style, with simple composition, broad skyscapes, and serene, quiet, poetic views often inspired by coastal scenery of Cape Cod and Long Island. Luminism was a part of his painting style, with reflected bright lights often appearing in his dramatic, panoramic cloud-filled skies. His paintings were sometimes referred to as "spare meditations" (Elliott), and usually his titles referenced the exact location of the work, the season or time of day. He also did figure and genre subjects including peasants toiling in the fields when he was painting in the French countryside. As a young man, Hoeber did much sketching and painting in watercolor, and later took evening classes at Cooper Union in New York City and then the Art Students League. One of his first te... Read full biography
Arthur Hoeber - Artist Info
About Arthur Hoeber: Books
Books & Publications (30)
Publications based on askART research. List may not be comprehensive.
A History of American Tonalism
2010
Cleveland, David Adams
592 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Dreams and Dramas: Moonlight and Twilight in American Art (Hollis Taggart Galleries) (Exhibition catalog)
2003
Leeds, Valerie (Essay)
88 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Images of America The Painter's Eye, 1833-1925 (Exhibition catalog)
1991
Baekland, Frederick
160 pages (color)
Annual Exhibition Record, National Academy of Design: 1901-1950 (Exhibition catalog)
1990
Falk, Peter Hastings
622 pages
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
American Art at the Nineteenth Century Paris Salons
1990
Fink, Lois Marie; Albert Boime, Forward; Elizabeth Broun, Preface
430 pages (color)
Art Across America: New England, New York, Mid-Atlantic (Volume One)
1990
Gerdts, William H
421 pages (color)
American Paintings (Exhibition catalog)
1990
Schwarz-Philadelphia
36 pages (color)
Annual Exhibition Record, 1876-1913, Pennsylvania Academy of the Fine Arts Volume II (Exhibition catalog)
1989
Falk, Peter Hastings
612 pages
Annual Exhibition Record, 1914-68, Pennsylvania Academy of the Fine Arts (Exhibition catalog)
1989
Falk, Peter Hastings (Editor)
538 pages
Impressionism and Post-Impressionism Transformations 1885-1945 (Exhibition catalog)
1988
Preato, Robert R.; Dr. Sandra L. Langer
104 pages (color)
300 Years of American Art (two volumes)
1986
Zellman, Michael David
1,102 pages (color)
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
Americans in the Arts 1890-1920
1985
Huneker, James G/Arnold Schwab
672 pages
American Paintings (Exhibition catalog)
1984
Schwarz-Philadelphia
22 pages
The American Pupils of Jean-Leon Gerome
1984
Weinberg, H Barbara
113 pages
Tonalism An American Experience (Exhibition catalog)
1982
Gerdts, William H (others)
94 pages (color)
American Art in the Newark Museum Paintings, Drawings and Sculpture
1981
Newark Museum
431 pages (color)
American Impressionism: The Henry Art Gallery (Exhibition catalog)
1980
Gerdts, William H
179 pages (color)
American Art in the Barbizon Mood (Exhibition catalog)
1975
Bermingham, Peter
191 pages (color)
Exhibition Record 1861-1900, National Academy of Design (Two Volumes Set) (Exhibition catalog)
1973
Naylor, Maria
1,075 pages
Tonalism: An American Interpretation of Landscape (Exhibition catalog)
1970
Cohen, Mildred
0 pages
History of the National Academy of Design, 1825-1953
1954
Clark, Eliot
296 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index
1935
Mallett, Daniel Trowbridge
1,130 pages
Panama-Pacific Exposition: Catalogue of the Post-Exposition Exhibit
1915
Walter, John; Pedro Lemos
112 pages
The Barbizon Painters: Being the Story of the Men of Thirty
1912
Hoeber, Arthur
296 pages
Official Catalogue of Exhibitors Department B, Art (Exhibition catalog)