A sculptor creating large-scale geometric shapes, Clement Meadmore used "hulking lengths of steel" that deceivingly appear fluid and lightweight. He was a key figure in making massive, dense forms... Read full biography
A sculptor creating large-scale geometric shapes, Clement Meadmore used "hulking lengths of steel" that deceivingly appear fluid and lightweight. He was a key figure in making massive, dense forms the concern of sculpture. Of his work he said that it did not depict any specific thing and was about... Read full biography
A sculptor creating large-scale geometric shapes, Clement Meadmore used "hulking lengths of steel" that deceivingly appear fluid and lightweight. He was a key figure in making massive, dense forms the concern of sculpture. Of his work he said that it did not depict any specific thing and was about "the possibility of form and only that . I have to start with a real object, a thing---and then try to let it transcend it's physicality." Meadmore, working with maquettes at his kitchen table, paid... Read full biography
A sculptor creating large-scale geometric shapes, Clement Meadmore used "hulking lengths of steel" that deceivingly appear fluid and lightweight. He was a key figure in making massive, dense forms the concern of sculpture. Of his work he said that it did not depict any specific thing and was about "the possibility of form and only that . I have to start with a real object, a thing---and then try to let it transcend it's physicality." Meadmore, working with maquettes at his kitchen table, paid close attention to geometry and often would work for a year or so to get a certain overall balance of line and shape. Although he occasionally worked in bronze, Meadmore's reputation is for massive black painted outdoor pieces "of square-sided steel... Read full biography
A sculptor creating large-scale geometric shapes, Clement Meadmore used "hulking lengths of steel" that deceivingly appear fluid and lightweight. He was a key figure in making massive, dense forms the concern of sculpture. Of his work he said that it did not depict any specific thing and was about "the possibility of form and only that . I have to start with a real object, a thing---and then try to let it transcend it's physicality." Meadmore, working with maquettes at his kitchen table, paid close attention to geometry and often would work for a year or so to get a certain overall balance of line and shape. Although he occasionally worked in bronze, Meadmore's reputation is for massive black painted outdoor pieces "of square-sided steel beams bent or coiled into sinuous forms". Installed in many public places, they can be enjoyed by people who walk around them or sit and clim... Read full biography
Clement Meadmore - Artist Info
About Clement Meadmore: Books
Books & Publications (23)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who's Who in American Art, 2004 2003 - 2004 (25th Edition)
2004
McGowan, Alison C (Editor)
1,512 pages
Clement Meadmore: Sculptures 1982-2000
2000
Meadmore, Clement
15 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
The Modern Chair: Classic Designs Thonet, Breuer, Le Corbusier, Eames
1997
Meadmore, Clement
0 pages
The Sculpture of Clement Meadmore
1994
Gibson, Eric
144 pages
Who's Who in American Art, 1993-1994, 20th Edition (American Federation of Arts)
1993
Bowker R R
1,473 pages
Constructive Concepts:A History Constructive Art from Cubism to the Present
1989
Rotzler, Willy
332 pages (color)
The American Collections Columbus Museum of Art
1988
Columbus Museum of Art
271 pages (color)
The Empire State Collection Art for the Public
1987
Sandler, Irving
214 pages (color)
Who's Who in American Art-1986 1986
1986
Jaques Cattell Press
1,292 pages
Dictionary of American Sculptors: 18th Century to Present
1984
Opitz, Glenn B (editor)
656 pages
Urban Encounters Art, Architecture, Audience
1980
Institute of Contemporary Art
64 pages (color)
An Immodest Proposal: Skyscraper Sculptures
1980
Meadmore, Clement
0 pages
Arts in America/A Bibliography Volume 1 (Sculpture, the West etc)
1979
Karpel, Bernard/Ruth Spiegel
730 pages
Silence and Slow Time: Works by Berthot, MacKenzie, Meadmore, Romano
1978
Karson, Robin S
35 pages
Clement Meadmore: Small Bronzes, 1977=1978
1978
Meadmore, Clement
21 pages
American Sculpture A Guide to Information Sources
1977
Ekdahl, Janis
260 pages
Who's Who in American Art, 1976 12th Edition
1976
Jaques Cattell Press
756 pages
How To Make Furniture Without Tools
1975
Meadmore, Clement
77 pages
Clement Meadmore: Sculptures 1966-1973
1973
Meadmore, Clement
36 pages
Twentieth Century Art From the Nelson Aldrich Rockefeller Collection (Exhibition catalog)