Although Floch enjoyed some success early in his career in Vienna, his wish to leave his homeland became ever greater in the years following the First World War. In his diary, which is published here... Read full biography
Although Floch enjoyed some success early in his career in Vienna, his wish to leave his homeland became ever greater in the years following the First World War. In his diary, which is published here for the first time, Floch noted, full of bitterness, 'Vienna is the city of music, painting takes... Read full biography
Although Floch enjoyed some success early in his career in Vienna, his wish to leave his homeland became ever greater in the years following the First World War. In his diary, which is published here for the first time, Floch noted, full of bitterness, 'Vienna is the city of music, painting takes second place.' In 1918 Floch travelled to Munich, where he saw pictures by Paul Cézanne, Vincent van Gogh and Hans von Marées for the first at the Pinakotek, which left a deep impression on the young... Read full biography
Although Floch enjoyed some success early in his career in Vienna, his wish to leave his homeland became ever greater in the years following the First World War. In his diary, which is published here for the first time, Floch noted, full of bitterness, 'Vienna is the city of music, painting takes second place.' In 1918 Floch travelled to Munich, where he saw pictures by Paul Cézanne, Vincent van Gogh and Hans von Marées for the first at the Pinakotek, which left a deep impression on the young artist - and subsequently on his understanding of art. From then on, he was fascinated by the art of others and, restless, he undertook journeys to the Netherlands, Dalmatia and Italy, although, above all, to Trieste, where relatives of his lived; in... Read full biography
Although Floch enjoyed some success early in his career in Vienna, his wish to leave his homeland became ever greater in the years following the First World War. In his diary, which is published here for the first time, Floch noted, full of bitterness, 'Vienna is the city of music, painting takes second place.' In 1918 Floch travelled to Munich, where he saw pictures by Paul Cézanne, Vincent van Gogh and Hans von Marées for the first at the Pinakotek, which left a deep impression on the young artist - and subsequently on his understanding of art. From then on, he was fascinated by the art of others and, restless, he undertook journeys to the Netherlands, Dalmatia and Italy, although, above all, to Trieste, where relatives of his lived; in 1923 he travelled to Palestine for a period of six months. Floch made important contacts in Vienna at this time with fellow artists and... Read full biography
Joseph Floch - Artist Info
About Joseph Floch: Books
Books & Publications (20)
Publications based on askART research. List may not be comprehensive.
Salmagundi Club Painting Exhibition Records 1940-1951 and Water Color Exhibition Records 1900-1951
2009
Katlan, Alexander W.
623 pages
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Annual Exhibition Record, National Academy of Design: 1901-1950 (Exhibition catalog)
1990
Falk, Peter Hastings
622 pages
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
Annual Exhibition Record, 1914-68, Pennsylvania Academy of the Fine Arts (Exhibition catalog)
1989
Falk, Peter Hastings (Editor)
538 pages
Dictionary of Contemporary American Artists (5th Edition)
1987
Cummings, Paul
653 pages
A Guide to the Collections: Smith College Museum of Art
1986
Chetham, Charles; David Grose
312 pages (color)
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
The Toledo Museum of Art American Paintings
1979
Strickler, Susan (Catalogue); William Hutton (Editor)
227 pages (color)
The American Painting Collection of the Montclair Art Museum
1977
Gamble, Kathryn (Foreward); Thomas Hoving, William Gerdts, Lloyd Goodrich
268 pages (color)
Who's Who in American Art, 1976 12th Edition
1976
Jaques Cattell Press
756 pages
Smithsonian Archives of American Art: Checklist of the Collection
1975
Editor, Smithsonian
0 pages
Whitney Museum of American Art Catalogue of the Collection
1974
Baur, John I H
235 pages (color)
Profile: Art and Artists in the USA on the Occasion of 4th Congress ...
1963
International Assoc. of Art
119 pages
National Academy of Design, 35th Exhibition February 25-March 20, 1960 (Exhibition catalog)
1960
Harbeson, John F. (Foreward)
128 pages
Fifty Contemporary American Artis (Exhibition catalog)
1957
Chanin, A L/Greenwich Gallery
112 pages
American Painting Today 1950 A National Competitive Exhibition (Exhibition catalog)