Nicholas Krushenick was born in 1929 in New York City. Following World War II army service, he studied at the Art Students League from 1948-1950 and the Hofmann Art School in 1950-1951. Krushenick... Read full biography
Nicholas Krushenick was born in 1929 in New York City. Following World War II army service, he studied at the Art Students League from 1948-1950 and the Hofmann Art School in 1950-1951. Krushenick went from Cubism to Abstract-Expressionism, dropping the use of oil paints around 1960 for acrylics,... Read full biography
Nicholas Krushenick was born in 1929 in New York City. Following World War II army service, he studied at the Art Students League from 1948-1950 and the Hofmann Art School in 1950-1951. Krushenick went from Cubism to Abstract-Expressionism, dropping the use of oil paints around 1960 for acrylics, and arriving at a style emphasizing fluorescent colors and black outlines of hard-edged, geometric shapes. While Krushenick was a contemporary of the Pop artists, and his work has the look of their... Read full biography
Nicholas Krushenick was born in 1929 in New York City. Following World War II army service, he studied at the Art Students League from 1948-1950 and the Hofmann Art School in 1950-1951. Krushenick went from Cubism to Abstract-Expressionism, dropping the use of oil paints around 1960 for acrylics, and arriving at a style emphasizing fluorescent colors and black outlines of hard-edged, geometric shapes. While Krushenick was a contemporary of the Pop artists, and his work has the look of their simplistic, mass-media forms, no recognizable objects are depicted. Nicholas Krushenick's work is in the Albright-Knox Art Gallery, Buffalo, New York; Dallas Museum of Fine Arts; Los Angeles County Museum of Art; Hirshhorn Museum at the Smithsonian... Read full biography
Nicholas Krushenick was born in 1929 in New York City. Following World War II army service, he studied at the Art Students League from 1948-1950 and the Hofmann Art School in 1950-1951. Krushenick went from Cubism to Abstract-Expressionism, dropping the use of oil paints around 1960 for acrylics, and arriving at a style emphasizing fluorescent colors and black outlines of hard-edged, geometric shapes. While Krushenick was a contemporary of the Pop artists, and his work has the look of their simplistic, mass-media forms, no recognizable objects are depicted. Nicholas Krushenick's work is in the Albright-Knox Art Gallery, Buffalo, New York; Dallas Museum of Fine Arts; Los Angeles County Museum of Art; Hirshhorn Museum at the Smithsonian Institution, Washington, D.C.; the Metropolitan Museum of Art and Museum of Modern Art in New York City. Source: Michael David Zellma... Read full biography
Nicholas Krushenick - Artist Info
About Nicholas Krushenick: Books
Books & Publications (33)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Who's Who in American Art, 1997-1998
1997
Marquis Who's Who
1,515 pages
Who's Who in American Art, 1993-1994, 20th Edition (American Federation of Arts)
1993
Bowker R R
1,473 pages
Contemporary Artists (3rd Edition)
1989
Naylor, Colin (editor)
1,059 pages
American Art of the 1960s
1988
Sandler, Irving
412 pages (color)
Dictionary of Contemporary American Artists (5th Edition)
1987
Cummings, Paul
653 pages
The Empire State Collection Art for the Public
1987
Sandler, Irving
214 pages (color)
Who's Who in American Art-1986 1986
1986
Jaques Cattell Press
1,292 pages
300 Years of American Art (two volumes)
1986
Zellman, Michael David
1,102 pages (color)
American Artists: An Illustrated Survey of Leading Contemporary Americans
1985
Krantz, Les
347 pages (color)
World Artists 1950-1980
1984
Marks, Claude
912 pages
The Britannica Encyclopedia of American Art
1981
Rugoff, Milton
669 pages (color)
Arts in America/A Bibliography Volume 2 (Painting and Graphics)
1979
Karpel, Bernard/Ruth Spiegel
736 pages
The New York School The Painters & Sculptors of the Fifties
1978
Sandler, Irving
366 pages (color)
Tenth Street Days The Co-Ops of the 50's (Exhibition catalog)
1977
Bard, Joellan
80 pages
Painting and Sculpture in the Museum of Modern Art
1977
Barr, Alfred H
655 pages
Three Hundred Years of American Art In The Chrysler Museum (Exhibition catalog)
1976
Anderson, Dennis R (Introductory Essay)
270 pages (color)
Who's Who in American Art, 1976 12th Edition
1976
Jaques Cattell Press
756 pages
Smithsonian Archives of American Art: Checklist of the Collection
1975
Editor, Smithsonian
0 pages
Whitney Museum of American Art Catalogue of the Collection
1974
Baur, John I H
235 pages (color)
Catalogue of American Paintings in British Public Collections
1974
Gidley, Mick
58 pages
Contemporary American Painting and Sculpture, 1974 (Exhibition catalog)
1974
University of Illinois
136 pages
Amon Carter Museum of Western Art Catalogue of the Collection 1972