Nunzio Vayana. It is not widely known that Italian-American artist Nunzio Vayana (1878-1960) was involved in the development of camouflage during World War I. Beginning in May 1918, while living and... Read full biography
Nunzio Vayana. It is not widely known that Italian-American artist Nunzio Vayana (1878-1960) was involved in the development of camouflage during World War I. Beginning in May 1918, while living and teaching near South Glastonbury CT, he worked with two other artists, Albertus Jones and James... Read full biography
Nunzio Vayana. It is not widely known that Italian-American artist Nunzio Vayana (1878-1960) was involved in the development of camouflage during World War I. Beginning in May 1918, while living and teaching near South Glastonbury CT, he worked with two other artists, Albertus Jones and James Goodwin McManus, and with students in a sketching class to apply paint in such a way as to “conceal something by making it look like nothing.” They claimed that this was better than the commonly-practiced... Read full biography
Nunzio Vayana. It is not widely known that Italian-American artist Nunzio Vayana (1878-1960) was involved in the development of camouflage during World War I. Beginning in May 1918, while living and teaching near South Glastonbury CT, he worked with two other artists, Albertus Jones and James Goodwin McManus, and with students in a sketching class to apply paint in such a way as to “conceal something by making it look like nothing.” They claimed that this was better than the commonly-practiced alternative of making something appear to look like something else. They announced that they were “willing to enter the service of the government to demonstrate the worth of their theory in any way it can be worked out.” . Their on-going research was... Read full biography
Nunzio Vayana. It is not widely known that Italian-American artist Nunzio Vayana (1878-1960) was involved in the development of camouflage during World War I. Beginning in May 1918, while living and teaching near South Glastonbury CT, he worked with two other artists, Albertus Jones and James Goodwin McManus, and with students in a sketching class to apply paint in such a way as to “conceal something by making it look like nothing.” They claimed that this was better than the commonly-practiced alternative of making something appear to look like something else. They announced that they were “willing to enter the service of the government to demonstrate the worth of their theory in any way it can be worked out.” . Their on-going research was featured in a half-page news article in The Hartford Courant, with photographs of the artists and students at work. The headline fo... Read full biography
Nunzio Vayana - Artist Info
About Nunzio Vayana: Books
Books & Publications (11)
Publications based on askART research. List may not be comprehensive.
Palm Beach Visual Arts
2016
Pollack, Deborah C.
200 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Lost Colony: The Artists of St. Augustine, 1930-1950
2001
Torchia, Robert W
119 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
American Artists of Italian Heritage/1776-1945
1993
Soria, Regina
178 pages
A Century of Color, 1886-1986: Ogunquit, Maine's Art Colony (Exhibition catalog)
1987
Tragard, Louise; Patricia Hart and W.L. Copithorne
140 pages (color)
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
The Society of Independent Artists Exhibition Record 1917-1944 (Exhibition catalog)
1984
Marlor, Clark S
600 pages
Dictionary of American Artists
1982
Opitz, Glenn
372 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index