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Franco Grignani KEYWORDS
1908 - 1999. Known for: Painting and sculpture.
In the period from 1967 until 1969, Franco Grignani’s research focuses on periodic structures. Here the artist experimentally reconstructs geometric and parageometric images, endowing them with... Read full biography
In the period from 1967 until 1969, Franco Grignani’s research focuses on periodic structures. Here the artist experimentally reconstructs geometric and parageometric images, endowing them with interchangeable depth, an extremely movable three-dimensional value. The forms are either alike or... Read full biography
In the period from 1967 until 1969, Franco Grignani’s research focuses on periodic structures. Here the artist experimentally reconstructs geometric and parageometric images, endowing them with interchangeable depth, an extremely movable three-dimensional value. The forms are either alike or similar and are structured by the artist in rapid succession, with constant frequency and angles. Euclidean geometry is subtly questioned and placed in a condition of crisis. This is because the periodic... Read full biography
In the period from 1967 until 1969, Franco Grignani’s research focuses on periodic structures. Here the artist experimentally reconstructs geometric and parageometric images, endowing them with interchangeable depth, an extremely movable three-dimensional value. The forms are either alike or similar and are structured by the artist in rapid succession, with constant frequency and angles. Euclidean geometry is subtly questioned and placed in a condition of crisis. This is because the periodic structure is never static, but constantly transforming before the viewer. The inside and outside swap places, whilst space, which has become illusory but is still brimming with tension, events and problems for the dynamics of vision and thought,... Read full biography
In the period from 1967 until 1969, Franco Grignani’s research focuses on periodic structures. Here the artist experimentally reconstructs geometric and parageometric images, endowing them with interchangeable depth, an extremely movable three-dimensional value. The forms are either alike or similar and are structured by the artist in rapid succession, with constant frequency and angles. Euclidean geometry is subtly questioned and placed in a condition of crisis. This is because the periodic structure is never static, but constantly transforming before the viewer. The inside and outside swap places, whilst space, which has become illusory but is still brimming with tension, events and problems for the dynamics of vision and thought, suddenly appears to partake of a restructuring of values and hypotheses, of a different and mor... Read full biography