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Born 1939 Wattenscheid/Ruhe. Known for: Painting.
Klaus Rinke's "sculptural paintings" challenge the imaginary and illusory qualities of painting while examining the real and tangible nature of sculpture. "Painting is always about making present an... Read full biography
Klaus Rinke's "sculptural paintings" challenge the imaginary and illusory qualities of painting while examining the real and tangible nature of sculpture. "Painting is always about making present an imaginary world," Rinke said of the work. "In contrast, the interesting thing about sculpture is... Read full biography
Klaus Rinke's "sculptural paintings" challenge the imaginary and illusory qualities of painting while examining the real and tangible nature of sculpture. "Painting is always about making present an imaginary world," Rinke said of the work. "In contrast, the interesting thing about sculpture is that it really lives. That it is different every time- in the morning, at midday, in the evening, and at night." Rooted in minimal conceptual ideas, Rinke has consistently explored the nature of time;... Read full biography
Klaus Rinke's "sculptural paintings" challenge the imaginary and illusory qualities of painting while examining the real and tangible nature of sculpture. "Painting is always about making present an imaginary world," Rinke said of the work. "In contrast, the interesting thing about sculpture is that it really lives. That it is different every time- in the morning, at midday, in the evening, and at night." Rooted in minimal conceptual ideas, Rinke has consistently explored the nature of time; the disruption, fluidity, structure, and order of time. Rinke's 40+ year exhibition history started with his first installation "Public Eye" at Kunsthaus of Hamburg in 1968 and continues with a long list of solo and group shows which includes, but is... Read full biography
Klaus Rinke's "sculptural paintings" challenge the imaginary and illusory qualities of painting while examining the real and tangible nature of sculpture. "Painting is always about making present an imaginary world," Rinke said of the work. "In contrast, the interesting thing about sculpture is that it really lives. That it is different every time- in the morning, at midday, in the evening, and at night." Rooted in minimal conceptual ideas, Rinke has consistently explored the nature of time; the disruption, fluidity, structure, and order of time. Rinke's 40+ year exhibition history started with his first installation "Public Eye" at Kunsthaus of Hamburg in 1968 and continues with a long list of solo and group shows which includes, but is not limited to:. "Male-Female" Rinke's photographic series of his body p... Read full biography