Netherlands, Holland. 1822 - 1897
Rural landscape and figure painting, etching, lithography, drawing
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1824 The Hague, Holland - 1903 The Hague, Holland. Known for: Hague School plein-air landscape and genre painting.
Jan Hendrik Weissenbruch was particularly fascinated with the permanently changing skies above the typically green polders around The Hague and later in the surroundings of Gouda and Boskoop. He was... Read full biography
Jan Hendrik Weissenbruch was particularly fascinated with the permanently changing skies above the typically green polders around The Hague and later in the surroundings of Gouda and Boskoop. He was fascinated in rendering light effects and tonal qualities of a subject. Once Weissenbruch told the... Read full biography
Jan Hendrik Weissenbruch was particularly fascinated with the permanently changing skies above the typically green polders around The Hague and later in the surroundings of Gouda and Boskoop. He was fascinated in rendering light effects and tonal qualities of a subject. Once Weissenbruch told the art dealer Van Harpen (1858-?): 'De lucht is de hoofdzaak in een schilderij. Als je lucht niet goed is, dan deugt je schilderij niet. De lucht beheerscht het heele landschap!.' (see: Hans Janssen, Wim... Read full biography
Jan Hendrik Weissenbruch was particularly fascinated with the permanently changing skies above the typically green polders around The Hague and later in the surroundings of Gouda and Boskoop. He was fascinated in rendering light effects and tonal qualities of a subject. Once Weissenbruch told the art dealer Van Harpen (1858-?): 'De lucht is de hoofdzaak in een schilderij. Als je lucht niet goed is, dan deugt je schilderij niet. De lucht beheerscht het heele landschap!.' (see: Hans Janssen, Wim van Sinderen, De Haagse School, Rotterdam, 1997, p. 46). Against the blue sky, seen from a lower viewing point, the majestic windmills are depicted to give the work a more dramatic atmosphere. The present lot is a typical example of Weissenbruch is... Read full biography
Jan Hendrik Weissenbruch was particularly fascinated with the permanently changing skies above the typically green polders around The Hague and later in the surroundings of Gouda and Boskoop. He was fascinated in rendering light effects and tonal qualities of a subject. Once Weissenbruch told the art dealer Van Harpen (1858-?): 'De lucht is de hoofdzaak in een schilderij. Als je lucht niet goed is, dan deugt je schilderij niet. De lucht beheerscht het heele landschap!.' (see: Hans Janssen, Wim van Sinderen, De Haagse School, Rotterdam, 1997, p. 46). Against the blue sky, seen from a lower viewing point, the majestic windmills are depicted to give the work a more dramatic atmosphere. The present lot is a typical example of Weissenbruch is considered one of the great interpreters of the Dutch landscape. Stimulated by the artistic milieu in The Hague wh... Read full biography
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Slide 1 of 3: THE HOUSE OF THE ARTIST MILLET, BARBIZON
THE HOUSE OF THE ARTIST MILLET, BARBIZON
Johann Hendrik WeissenbruchTHE HOUSE OF THE ARTIST MILLET, BARBIZON
Johann Hendrik Weissenbruch
WINDMILLS ALONG A WATERWAY NEAR THE WOERDENSE VERLAAT
Johann Hendrik Weissenbruch
Workers near a wind mill in a Dutch polder landscape, near Noorden
Johann Hendrik WeissenbruchArtists Similar to Johann Hendrik Weissenbruch (32)
Collection of similar artists. Use arrow keys to navigate between artists, Enter or Space to select an artist, Home to go to first artist, End to go to last artist. Collection contains 32 artists.
Netherlands. 1880 - 1946
Figure, genre land-and cityscape painting
Netherlands, Holland. 1835 - 1905
Painting
Netherlands, Holland. 1853 - 1894
Small-scale, precise landscape painting on wood panel
Netherlands, Holland. 1857 - 1923
Hague School realist working-class genre paintings, nudes, city scenes
Holland. 1744 - 1808
Lush fruit and floral still life, figure and landscape painting
Netherlands. 1817 - 1891
Townscape paintings, buildings, figure, human activity
Netherlands, Holland. 1860 - 1931
Impressionist landscape painting, drawing, printmaking
France. 1838 - 1910
Portrait and landscape painting
Netherlands. 1817 - 1897
Bucolic landscape painting with figures and animals
Netherlands. 1816 - 1900
Painting
Netherlands, Belgium, Holland, Germany. 1816 - 1907
Land-and townscape painting, figure, human activity
Netherlands, Holland. 1856 - 1932
Genre, landscape, animal paintings
France, Belgium. 1862 - 1926
Impressionist and pointillist figure painting, nudes, portrait, landscape
France. 1826 - 1904
Genre painting-rural scene, children
Netherlands. 1819 - 1876
Genre, landscape, architectural painting
Netherlands, Holland, France. 1865 - 1934
Impressionist female figure painting, seaside genre scenes
Netherlands, United Kingdom, France. 1813 - 1897
Coastal view and marine painting
France. 1846 - 1909
Figure, genre, interior, portrait painting
Netherlands. 1837 - 1923
Landscape, winter landscape and genre paintings
Netherlands, United States, Holland. 1845 - 1914
Hague School peasant figure, portrait and child genre painting, lithography
Belgium, England. 1849 - 1924
Luminous, impressionist landscape and floral painting
Belgium. 1860 - 1949
Figure, genre, interior and portrait painting
France. 1852 - 1941
Figure, landscape, still life and animal painting
France. 1857 - 1945
Female figure, and domestic genre painting
Netherlands, Holland. 1822 - 1880
Landscape, figure, genre paintings
Netherlands, Holland. 1824 - 1911
Hague School tonalist historical, figure, landscape and religious painting
Netherlands, Germany, Holland. 1828 - 1903
Hague School tonalist landscape painting, drawing, watercolor, etching
Belgium, Netherlands. 1864 - 1925
Genre, beach scenes, landscape and still life paintings, illustration, printmaking
Belgium, Austria. 1838 - 1902
Italian landscape painting
France. 1813 - 1894
Bucolic subject painting, engraving
France. 1850 - 1924
Still life, animal and landscape painting, etching