Italy. 1500 - c.1571/73
Painting
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Santi Di Tito SIMILAR ARTISTS
1536 Sansepolcro, Italy - 1603 Florence, Italy. Known for: Portrait painting of religious and nobility figures, architecture, frescoes.
Both painter and architect, Santi di Tito trained in Florence with Agnolo Bronzino; he followed his Mannerist teacher only in his penchant for polished forms and precise draftsmanship. After 1558,... Read full biography
Both painter and architect, Santi di Tito trained in Florence with Agnolo Bronzino; he followed his Mannerist teacher only in his penchant for polished forms and precise draftsmanship. After 1558, Santi painted frescoes in Rome and absorbed Raphael's classicism. Upon his return to Florence in 1564,... Read full biography
Both painter and architect, Santi di Tito trained in Florence with Agnolo Bronzino; he followed his Mannerist teacher only in his penchant for polished forms and precise draftsmanship. After 1558, Santi painted frescoes in Rome and absorbed Raphael's classicism. Upon his return to Florence in 1564, he joined the Accademia del Disegno, whose members regularly worked with Giorgio Vasari on court commissions. Vasari wanted Mannerism--complex poses, more strident coloring, more gracefulness, and... Read full biography
Both painter and architect, Santi di Tito trained in Florence with Agnolo Bronzino; he followed his Mannerist teacher only in his penchant for polished forms and precise draftsmanship. After 1558, Santi painted frescoes in Rome and absorbed Raphael's classicism. Upon his return to Florence in 1564, he joined the Accademia del Disegno, whose members regularly worked with Giorgio Vasari on court commissions. Vasari wanted Mannerism--complex poses, more strident coloring, more gracefulness, and more exaggeration--so Santi compromised his own simple, naturalistic style. After Vasari's death in 1574, Santi worked more often for churches, confraternities, and private clients. His return to Raphael, clear narrative, and the sincere religious... Read full biography
Both painter and architect, Santi di Tito trained in Florence with Agnolo Bronzino; he followed his Mannerist teacher only in his penchant for polished forms and precise draftsmanship. After 1558, Santi painted frescoes in Rome and absorbed Raphael's classicism. Upon his return to Florence in 1564, he joined the Accademia del Disegno, whose members regularly worked with Giorgio Vasari on court commissions. Vasari wanted Mannerism--complex poses, more strident coloring, more gracefulness, and more exaggeration--so Santi compromised his own simple, naturalistic style. After Vasari's death in 1574, Santi worked more often for churches, confraternities, and private clients. His return to Raphael, clear narrative, and the sincere religious sentiment of the Early Renaissance fulfilled the Counter-Reformation Church's demand that art both instruct and move the most humble spectator. In... Read full biography
Page shows 3 sample artworks and 32 artists similar to Santi Di Tito. Sample images show some of Santi Di Tito's highest-priced auction results. Similar artists are ranked by similarity to Santi Di Tito's work and style.
Sample Images for Santi Di Tito
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Slide 1 of 3: PORTRAIT OF A GIRL IN A YELLOW DRESS HOLDING A BOUQUET OF FLOWERS
PORTRAIT OF A GIRL IN A YELLOW DRESS HOLDING A BOUQUET OF FLOWERS
Santi Di TitoPORTRAIT OF A GIRL IN A YELLOW DRESS HOLDING A BOUQUET OF FLOWERS
Santi Di Tito
Portrait of a gentleman, three-quarter-length, in a black embroidered silk doublet and cloak, with a ruff, holding gloves and a letter in his left hand, a lute on the table
Santi Di Tito
PORTRAIT OF AN ADULT WITH A CHILD
Santi Di TitoArtists Similar to Santi Di Tito (32)
Collection of similar artists. Use arrow keys to navigate between artists, Enter or Space to select an artist, Home to go to first artist, End to go to last artist. Collection contains 32 artists.
Italy. 1589 - 1669
Baroque paintings
Italy. 1602 - 1660
Painting and sculpture
Germany. 1680 - 1748
Painting and sculpture
Italy. 1592 - 1664
Frescoe, religious, allegorical painting
Denmark, Italy. 1624 - 1687
Figure, human genre painting
Italy. 1682/83 - 1754
Portrait paiting, figure, genre (human activity)
Belgium. 1564 - 1638
Painting, copyist of his father's paintings
Italy, Spain. 1591 - 1652
Religious figure painting
Europe, Netherlands, Holland. 1628/69 - 1682
Realist landscape painting with horizons
Italy. 1710 - 1743
Venetian scene painting, landscape and harbpr scenes
Italy. 1609/16 - 1664/70
Religious, allegorical, figure, genre painting
Belgium. 1564 - 1635
Landscape, figure in landscape painting
Italy. 1709 - 1784
Landscape and religious theme painting
Holland. 1602/03 - 1670
Landscape and river scene painting
Italy. 1611/13 - 1678
Painting and sculpture
Italy. 1581 - 1644
Painting, fresco; historical; allergorical; genre; portrait; religous
Italy. 1609 - 1685
Religious theme painting
Italy. 1632/34 - 1705
Baroque painting, ceilings, altarpieces
Italy. 1696 - 1782
Italian Rococo painting style
Italy. 1676 - 1730
Landscape paintings, drawings
Italy, England. 1702 - 1788
Bucolic landscape with figure, portrait and genre painting
France. 1748 - 1825
Classical painting
Italy. 1712 - 1793
Architectural, cityscape, religious painting
Germany, Italy. c.1655/57 - 1706
Landscape, domestic animal in landscape painting
Italy. 1615 - 1673
Romantic landscape and baroque religious scene painting, printmaking
Italy. c. 1548 - 1628
Portrait, figure, religious, allegorical paintings
Italy. 1689 - 1767
Venetian painting, loose brushwork, processing of antique elements, expressive works
France, Italy. 1703 - 1770
Rococo portrait, landscape and mythology painting, engraving, palace decorating
Italy. 1734 - 1802
Religious, history, and allegory painting, fresco, etching, sculpture, teaching
Italy. 1727 - 1804
Religious, allegorical, and landscape painting, drawings of upwardly mobile common folk
Holland. 1596 - 1656
Figure and landscape painting