New York. 1840 - 1904
Trompe l'oeil still life, portrait
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Victor Dubreuil SIMILAR ARTISTS
1846 France - 1946. Known for: Trompe still life, genre, landscape.
Very little is known about his life, but his trompe l'oeil (fool-the-eye) still lifes indicates that a primary interest was money, which he painted in numerous ways--in barrels, piles, tidy stacks,... Read full biography
Very little is known about his life, but his trompe l'oeil (fool-the-eye) still lifes indicates that a primary interest was money, which he painted in numerous ways--in barrels, piles, tidy stacks, and even nose gays and garlands. An explanation for this ever reoccurring subject has been offered by... Read full biography
Very little is known about his life, but his trompe l'oeil (fool-the-eye) still lifes indicates that a primary interest was money, which he painted in numerous ways--in barrels, piles, tidy stacks, and even nose gays and garlands. An explanation for this ever reoccurring subject has been offered by Alfred Frankenstein in his book, "The Reality of Appearance": "He was obsessed with money, doubtless, because he never had any." . In fact, he painted money so accurately, that he was suspected by... Read full biography
Very little is known about his life, but his trompe l'oeil (fool-the-eye) still lifes indicates that a primary interest was money, which he painted in numerous ways--in barrels, piles, tidy stacks, and even nose gays and garlands. An explanation for this ever reoccurring subject has been offered by Alfred Frankenstein in his book, "The Reality of Appearance": "He was obsessed with money, doubtless, because he never had any." . In fact, he painted money so accurately, that he was suspected by government officials of counterfeiting the U.S. dollar bill. One of his paintings, "Barrels of Money," a copy of an earlier version, was confiscated by the government and kept in security for several years with a mandate that the original be destroyed.... Read full biography
Very little is known about his life, but his trompe l'oeil (fool-the-eye) still lifes indicates that a primary interest was money, which he painted in numerous ways--in barrels, piles, tidy stacks, and even nose gays and garlands. An explanation for this ever reoccurring subject has been offered by Alfred Frankenstein in his book, "The Reality of Appearance": "He was obsessed with money, doubtless, because he never had any." . In fact, he painted money so accurately, that he was suspected by government officials of counterfeiting the U.S. dollar bill. One of his paintings, "Barrels of Money," a copy of an earlier version, was confiscated by the government and kept in security for several years with a mandate that the original be destroyed. He lived on Seventh Street in New York City between 1886 and 1888 and on West 44th Street between 1895 and 1896. He is known to have fre... Read full biography
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Slide 1 of 3: Money to Burn
Money to Burn
Victor DubreuilArtists Similar to Victor Dubreuil (32)
Collection of similar artists. Use arrow keys to navigate between artists, Enter or Space to select an artist, Home to go to first artist, End to go to last artist. Collection contains 32 artists.
Connecticut. 1820 - 1863
Snowscene painter-animal, portrait, genre
New York / Germany. 1817 - 1896
Trompe still life, landscape and genre painting
New York / Italy. 1840 - 1928
Landscape, architecture and portrait painting
Pennsylvania. 1808 - 1886
Food still life and portrait painting
Michigan / France. 1873 - 1937
Peasant genre, portrait, interiors
New York, New Jersey / France. 1827 - 1869
Opulent still life, landscape and miniature painting
New Jersey, Pennsylvania. 1854 - 1907
Trompe still life, marine and portrait painting
New York. 1853 - 1924
Still life, genre, landscape, animal
Pennsylvania. 1799 - 1885
Survey-science, wildlife, botanics
New York, Vermont. 1811 - 1893
Landscape painting, banknote engraving
District Of Columbia, New York, Pennsylvania, Massachusetts / Europe. 1793 - 1856
Landscape and some marine painting, graphics, illustration
Ohio / France. 1855 - 1926
Sea-street-landscape painting, illustration
New York, Connecticut, Massachusetts / France. 1884 - 1958
Figure, genre, carnival and interior painting
New York, Connecticut / Europe. 1816 - 1888
Landscape, portrait and hunting genre painting
New York, New Jersey. 1828 - 1898
Realist still life, landscape and botanical painting, engraving
Connecticut. 1856 - 1933
Trompe l'oeil still life and landscape painting
New York, Ohio / France. 1861 - 1936
Landscape, still life, figure, and genre painting
Pennsylvania. 1779 - 1851
Marine, ship portrait, and landscape painting
New York, Kansas. 1824 - 1900
Animal, sporting scenes, portrait and landscape painting
New York, South Carolina. 1841 - 1919
Idealized genre, sea-landscape and portrait painting
New Hampshire, New York, Tennessee. 1855 - 1941
Indian figure, portrait and genre painting, teaching
Massachusetts, New York. 1843 - 1903
Genre, figure, portrait, landscape paintings
New York, California, New Jersey. 1840 - 1910
Trompe game still life and portrait painting
New York, New Jersey. 1855 - 1930
Genre, interiors, figure and portrait painting
Pennsylvania. 1872 - 1933
Industrial views-genre, nocturne
Pennsylvania, New York / Europe. 1883 - 1935
Precisionist painting, landscape, still life, figure, portrait, industrial scene
New York, New Hampshire. 1825 - 1913
Fruit/floral still life, figure and genre painting
Illinois, Pennsylvania, Michigan / Germany. 1885 - 1974
Trompe l'oeil still life-currency, genre painting
Pennsylvania / France. 1844 - 1916
Figure, genre, portrait and marine painting, teaching
Massachusetts / France. 1856 - 1937
Interior, genre, figure and still-life painting
New York, Ohio. 1855 - 1942
Still life-often trompe, sculptor