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1926 - 2013. Known for: Sculpture.
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Son of Catalan sculptor Richard Guino, best known for his work with Pierre Auguste Renoir, Michel Guino was introduced to sculpture at an early age in his father's studio. In 1943, he continued his... Read full biography
Son of Catalan sculptor Richard Guino, best known for his work with Pierre Auguste Renoir, Michel Guino was introduced to sculpture at an early age in his father's studio. In 1943, he continued his training at the Académie de la Grande Chaumière before joining Marcel Gimond's studio at the École... Read full biography
Son of Catalan sculptor Richard Guino, best known for his work with Pierre Auguste Renoir, Michel Guino was introduced to sculpture at an early age in his father's studio. In 1943, he continued his training at the Académie de la Grande Chaumière before joining Marcel Gimond's studio at the École des Beaux-Arts. Here he met Albert Féraud, Philippe Hiquily and César. At the end of the Second World War, he joined the "Groupe d'Oppède" in Oppède-le-Vieux and began using stone, plaster and salvaged... Read full biography
Son of Catalan sculptor Richard Guino, best known for his work with Pierre Auguste Renoir, Michel Guino was introduced to sculpture at an early age in his father's studio. In 1943, he continued his training at the Académie de la Grande Chaumière before joining Marcel Gimond's studio at the École des Beaux-Arts. Here he met Albert Féraud, Philippe Hiquily and César. At the end of the Second World War, he joined the "Groupe d'Oppède" in Oppède-le-Vieux and began using stone, plaster and salvaged materials. In the 1950s, Michel Guino turned to metal sculpture, gradually abandoning figuration for abstract compositions. He was awarded the Prix de la Critique at the first Paris Biennale in 1959, and the following year the Grand Prix de la Ville... Read full biography
Son of Catalan sculptor Richard Guino, best known for his work with Pierre Auguste Renoir, Michel Guino was introduced to sculpture at an early age in his father's studio. In 1943, he continued his training at the Académie de la Grande Chaumière before joining Marcel Gimond's studio at the École des Beaux-Arts. Here he met Albert Féraud, Philippe Hiquily and César. At the end of the Second World War, he joined the "Groupe d'Oppède" in Oppède-le-Vieux and began using stone, plaster and salvaged materials. In the 1950s, Michel Guino turned to metal sculpture, gradually abandoning figuration for abstract compositions. He was awarded the Prix de la Critique at the first Paris Biennale in 1959, and the following year the Grand Prix de la Ville de Marseille.